The process of binding a miniature is very similar to a full size book however there are certain factors that need to be taken into account to ensure the book functions as desired. Without an appropriate book structure and proper construction the miniature will not open fully and could be damaged during use. For this project I will be using Mark Cockrams Ultra Flat Back book construction technique, which is ideal for thinner text blocks and opens beautifully.  Specially made equipment will be used such as a miniature book press, smaller needles for sewing and thinner end band core.

The first stage in this binding is coming up with a concept by gathering ideas and inspiration from the text but also the image content, textures and colour. I want to create a design that is attractive but also inspired by deeper themes not initially obvious to the viewer until the text has been read. Before starting the binding maquettes will be made to test materials, techniques and colours to ensure the best results during the binding process. I have found making a mock up helps with solutions to problems without the risk of experimenting directly on the text block. It is this fluid creative work environment that builds on ideas and inspires free form design during the making process.

My first experiment is with the Craquele effect inspired by Trevor Jones and his binding of Genesis in 1980. The binding is documented in Fine Bookbinding in the Twentieth Century by Roy Harley Lewis 1984 (ISBN 9780668060844). This technique is wonderful for creating abstract organic patterns and can be used for inlays, onlays and body leather.

Craquele Before

Craquele After

Trevor Jones Binding of Genesis 

Miniature Bookbinding Equipment